As mentioned in the World Wildlife Fund: Food Issue post, Adam has been a beekeeper for about 2 years. Bringing a full frame into the studio has been a want of his from the beginning. This job gave him a reason to spend time making the observation/transport box.
One Sunday afternoon this past spring he pulled a frame from the hive and inserted it into the wood and plexiglass case he built. There were maybe a hundred or so bees that had stayed on the frame. After a few hours, we noticed there were more bees than we had started with in the box. He had pulled a frame packed full of brood. As time wore on more and more bees hatched. By the time we put the frame back in the hive, there were over a thousand bees in the case.
Driving around with a thousand irritable bees in your passenger seat can make the mellowest of people a little nervous.
You can see the larva growing in the individual cells
Here’s the box Adam made. There is plexiglass on both sides so he can back light the frame.
Today the White House announced its goal to fund Brain Research, in hopes of furthering understanding of brain disorders and degenerative diseases such as Alzheimer’s.
Two years ago Scientific American magazine sent me to the University of Texas at Austin to borrow a human brain. They needed me to photograph a normal, adult, non-dissected brain that the university had obtained by trading a syphilitic lung with another institution. The specimen was waiting for me, but before I left they asked if I’d like to see their collection.
I walked into a storage closet filled with approximately one-hundred human brains, none of them normal, taken from patients at the Texas State Mental Hospital. The brains sat in large jars of fluid, each labeled with a date of death or autopsy, a brief description in Latin, and a case number. These case numbers corresponded to micro film held by the State Hospital detailing medical histories. But somehow, regardless of how amazing and fascinating this collection was, it had been largely untouched, and unstudied for nearly three decades.
Driving back to my studio with a brain snugly belted into the passenger seat, I quickly became obsessed with the idea of photographing the collection, preserving the already decaying brains, and corresponding the images to their medical histories. I met with my friend Alex Hannaford, a features journalist, to help me find the collection’s history dating back to the 1950s.
Over the past year while working this idea into a book, we’ve learned how heavily storied the collection is. That it was originally intended to be displayed and studied, but without funding it instead stagnated. And that the microfilm histories of each brain had been destroyed years ago.
My original vision of a photo book accompanied by medical data and a comprehensive essay turned into a story of loss and neglect. But Alex continued to pursue some scientific hope for the collection. After discussions with various neuroscientists we learned that through MRI technology and special techniques in DNA scanning there is still hope. And with the new possibilities of federal brain research funding, this collection’s secrets may yet be unlocked.
As we begin the hunt for someone to publish my 230 images accompanied by Alex’s 14,000 word essay, the University has found new interest in the collection. They currently are planning to make MRI scans of the brains.
Below are a few samples from the much larger body of work.
Last week a few students from the Art Institute of Austin came to my studio to learn stuff. In addition to telling them about stuff, I also showed them some stuff, like a lighting demo. This is a thing I pulled out of a scrap pile behind a barn. Larry (the head of the photo department at the Art Institute) informed me that is was an irrigation pump. I’m obsessed with the gauge on this thing.
Two nights ago, after some dinner conversation about art and personal vision and crap like that, and maybe a cocktail or two, my wife gave me an assignment. One I’m very excited about. Each week I will study an object in light and composition. Sort of an exercise in ‘exploring’ objects. It’s one of my favorite things to do, and my first love in photography. Also, this will help shorten my internal list of things I need to photograph!
My first object was found on assignment for Texas Monthly. They sent me to Llano, Texas to photograph an antique shop among other things. The store was filled with little vignettes and groupings of objects. One table was filled with doll parts. Only parts. A bowl of arms, a basket of torsos, etc. I found a pair of cowboy boots in the shop I still dream about, but they were too small. So I bought this doll head instead. It’s been sitting in the studio (usually by the coffee pot) as a sort of joke ever since.